Selasa, 31 Juli 2018

[WATCH] Happy Death Day 2U 2019 Google Docs

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Movieteam

Coordination art Department : Remi Adrian

Stunt coordinator : Elmas Aliou

Script layout :Didi Roméo

Pictures : Manfred Delbos
Co-Produzent : Bahez Zixuan

Executive producer : Dostie Mohsin

Director of supervisory art : Clement Rosa

Produce : Foucher McCurdy

Manufacturer : Horatio Nazreen

Actress : Ishe Robt



Collegian Tree Gelbman wakes up in horror to learn that she's stuck in a parallel universe. Her boyfriend Carter is now with someone else, and her friends and fellow students seem to be completely different versions of themselves. When Tree discovers that Carter's roommate has been altering time, she finds herself once again the target of a masked killer. When the psychopath starts to go after her inner circle, Tree soon realizes that she must die over and over again to save everyone.

6.2
1515






Movie Title

Happy Death Day 2U

Clock

181 minutes

Release

2019-02-13

Quality

AVI 1440p
DVD

Categories

Comedy, Horror, Science Fiction

speech

English

castname

Gaëtan
Y.
Elyssa, Louise R. Munib, Kobe E. Aupry





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Film kurz

Spent : $681,276,437

Revenue : $192,085,668

category : Gesundheit und medizinische Forschung - Unabhängigkeit , Flucht - Frauen , Stück Leben - Documenteur Schwarz , Erzählung - Super Heroes gesunder Menschenverstand

Production Country : Bahamas

Production : BBC One



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Jessica Rothe leads the follow-up to Blumhouse's surprise 2017 smash hit of riveting, repeating twists and comic turns. This time, our hero Tree Gelbman (Rothe) discovers that dying over and over was surprisingly easier than the dangers that lie ahead. Jason Blum once again produces, and Christopher Landon returns to write and direct this next chapter.

I don’t have a Happy Death Day review online, but I agree with the adjectives above-mentioned. It was one of last year’s surprises, and I genuinely had great fun with it. Overall, I would have rated it a B/B+, in case you’re wondering. But let’s get to its sequel and find out if it stood up to the original’s level…

Short answer: no. Not even close. Honestly, it even diminishes what the first one accomplished. The 2017 original flick was a refreshing surprise because it took a different concept and mixed a bunch of genres in an unexpectedly entertaining way. It was funny, imaginative and Jessica Rothe proved to be a star in the making. 2U just has Rothe. That’s it. Its comedy bits only worked a couple of times throughout the whole runtime, and there wasn’t a single scary sequence that didn’t remind me of thousands of other familiar scenes done better in other films.

This movie is simply an easy money-grab, and BlumHouse doesn’t mind if it doesn’t stand up to the original as long as it succeeds in the box office, which it already did. Unfortunately, that’s how Hollywood and the world of cinema works nowadays. If an unique and even risky film, one that was only planned to be a single installment, becomes a box office hit, chances are that a sequel is going to be produced, even if it has to wrongly retcon what happened in the original movie, consequently taking some of its value. This rarely works quality-wise, but I can’t deny that, as a marketing strategy, it’s very profitable for studios.

My main issue with Happy Death Day 2U is that it risks too much with no reasonable payoff. Story-wise, it has tons of logical incongruencies, and I don’t buy the ending, at all. Christopher Landon asks too much of the audience since we have to accept so much nonsense in order to actually enjoy the film. In the original movie, the only thing we needed to “go with” was the actual concept, but that was pretty clear from the get-go. In 2U, there’s a compelling and captivating moral dilemma at its core, but that same dilemma becomes less and less like one by the end of it. It’s still a complicated situation, but it’s like they forgot what was really important and went with other poorly explained route.

It doesn’t matter the genre from which you analyze this film. If you look at it as a comedy, you’ll barely laugh. If you think of it as a scary movie, you’ll never get scared. If you want to be intrigued by who the killer is this time around, you won’t be because the mystery is pretty straightforward. I really don’t want to rant on this film because I do love its cast and I really enjoyed the first movie, but it’s really hard not to be upset since it damages an eventual second viewing of the first one now. When the original installment doesn’t have an open door to other adventures, just don’t try to make a sequel for the sake of it. I know, I know… Money. Bah.

I don’t want to end this review on a sad note, so I left the brilliant cast to the end. Everyone is fantastic, and I hope that at least this film can catapult some of these actors into the spotlight, especially Jessica Rothe. She has a tremendous range of expressions and incredible ease in changing between emotions. She can look scared, sad and happy in a matter of seconds, with tears and all. She’s a full package. I hope that she can grab either a major role on a big TV series or a supporting role in a blockbuster or Oscar-bait movie in the next couple of years. Surely, Jason Blum has some plans for her.

All in all, Happy Death Day 2U does not deserve the box office success that it is having. It’s receiving a lot of credit due to the 2017 original’s surprise hit, and that’s unfair to the first installment. This sequel not only wrongly retcons unnecessary plot details of its predecessor, but it makes that correction its main plot, continuously reminding the audience that we just have to accept it. It’s not as funny, scary, unique or surprisingly entertaining as the original, and if the returning cast didn’t deliver strong performances, this would be one of the worst films of the year. Fortunately, there are a couple of good moments here and there, and Jessica Rothe alone saves the movie from a much more negative review.

Oh, and please, do NOT make a third one! Just leave it alone.

Rating: C-
A notable step down from the first _Happy Death Day_ but I was still pretty happy with this. There are some problems though. Calling it repetitive seems like a no-brainer, given the content, but it's not so much that _2U_ is doing mostly the same thing as the first one, as that it's doing the same thing as the first one, and that all of the things that are changed are **worse**. I didn't need an explanation or really much of anything that I saw in _2U_. But I guess something had to give if _Happy Death Day_ was going to get a sequel, and as I said, I didn't dislike this. I actually actively did like it. I just don't think it was up to the standard off the first, which even then, was good but not great.

Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.

[WATCH] The Mummy: Tomb of the Dragon Emperor 2008 Google Docs

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Movieteam

Coordination art Department : Éline Zabrina

Stunt coordinator : Jugnot Rayna

Script layout :Henlie Stefen

Pictures : Tiffney Dianna
Co-Produzent : Gernez Ishka

Executive producer : Nahid Leigham

Director of supervisory art : Rachel Sandro

Produce : Léaud Rashid

Manufacturer : Stanley Ketija

Actress : Jasiah Shivam



Archaeologist Rick O'Connell travels to China, pitting him against an emperor from the 2,000-year-old Han dynasty who's returned from the dead to pursue a quest for world domination. This time, O'Connell enlists the help of his wife and son to quash the so-called 'Dragon Emperor' and his abuse of supernatural power.

5.3
2775






Movie Title

The Mummy: Tomb of the Dragon Emperor

Time

197 minute

Release

2008-07-01

Quality

MPE 720p
HDTV

Category

Adventure, Action, Fantasy

language

English, 普通话, Array

castname

Nancy
Y.
Darine, Carré X. Latanya, Carné H. Deshna





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Film kurz

Spent : $134,585,782

Income : $028,915,617

categories : Bögen En Ciel - Battlefield , Jungs Prähistorisch - Vernachlässigung , Medizin - Stumm , Gesundheit und medizinische Forschung - Tapferkeit

Production Country : Schweiz

Production : Edgehill Drive



From dumb fun to... regular dumb.

It's hard to find a point where _Tomb of the Dragon Emperor_ wasn't hampered by itself. Or a point where it makes any sort of logical sense. Unfortunate that is was no good, lending credence to the need of a reboot, which we now have, but wish we didn't.

_Final rating:★½: - Boring/disappointing. Avoid if possible._
Not the same Mummy twice, nor thrice for that matter.

Well it's been pretty much universally panned has this third Brendan Fraser led instalment of the new age Mummy series. So lets not beat around the bush here, it's not very good, but it's hardly deserving of the 1/10 ratings it has been given by amateur on line reviewers.

The plot (for what it's worth) sees young Alex O'Connell, now amazingly a grown man in a short space of time, unearth evil old Chinese Emperor Han and his accursed Terracotta Army. Naturally some bonehead is going to bring him back from the dead, and naturally the now retired O'Connell's are forced back into their Mummy fighting ways. Can Rick, Evelyn and poor Jonathan save the day? Will Alex prove his credentials as the offspring of such daring-do parents? Will anybody care come the finale?

Rachael Weisz has (wisely) bailed and into her shoes comes a woeful Maria Bello, with fluctuating accents and zero chemistry with her leading man, Bello has undone the promise shown in World Trade Center & A History Of Violence. Steer clear of action movies dear. Fraser looks bored and can barely muster the energy to deliver the now tired and stilted lines. He admitted once that The Mummy 2 was basically a cheeky remake of the first film, quite what he has to say about this one I await with much interest. John Hannah is merely a bystander and it's probably the easiest money he will ever earn, an utter waste it be. Luke Ford does OK as Alex and Michelle Yeoh, Jet Li (the Emperor) & the beautiful Isabella Leong make do with what the unimaginative script gives them to do.

What saves the film from being a bottom of the barrel feeder is the action quota. Even though the spectre of poor CGI hangs around every corner, the sequences come thick and fast and they at least keep the blood pumping, thus stopping the audience themselves from drifting into a centuries long sleep. There's some good gags too (you will yearn for more of Liam Cunningham), while the choreography for the fights involving the Asian stars is not to be sniffed at. Stephen Sommers left the directors chair for this one, handing over to Rob Cohen, which explains why the film is more concerned with action accelerate over substance. But Sommers, who gave us a genuine genre delight with the first film, has a writing credit and was on production duties for this effort. I trust he now feels saddened by what his franchise has now become. 4/10
***High adventure in China, albeit totally overdone***

In 1946 Rick & Evy (Brendan Fraser & Maria Bello) are bored in their middle age in England and so take an assignment to China where they meet Evelyn's brother (John Hannah) and their son (Luke Ford) who has discovered the tomb of a tyrannical ancient emperor (Jet Li). Unfortunately, there’s a secret plot to resurrect the mummified remains of the Emperor and all hell naturally breaks loose. Michelle Yeoh and Isabella Leong are also on hand.

"The Mummy: Tomb of the Dragon Emperor" (2008) is an overblown action/adventure horror/comedy popcorn blockbuster, just like the first two flicks. It's not as good as “The Mummy” (1999), yet it's better than the unabsorbing “The Mummy Returns” (2001). Yes, it's overdone like the second one, but the story is more compelling.

While it's regrettable that Rachel Weisz opted out of this third film in order to be with her one year-old son, Maria Bello is a solid replacement and actually looks better in tight pants (as she's curvier and therefore more physically appealing).

Of course the film’s preposterous in the tradition of the previous two and the Indiana Jones flicks. But let's give credit where credit is due: “Tomb of the Dragon Emperor” bends over backwards to entertain with tombs, priceless artifacts, mummies, Shanghai, the Great Wall, the Himalayas, yetis, Shangri-La, zombies, a three-headed dragon and martial arts.

If you can get past the absence of Weisz and embrace Bello (which, let’s face it, isn’t that hard to do), this is easily the second best of the trilogy. Interestingly, Roger Ebert maintained that it was the best and he ain't no slouch when it comes to appraising pictures, whatever the genre. Yet my wife zeroed-in on the film’s flaw, which is the same as the previous flick: It tries too hard. It frantically throws in everything but the kitchen sink and is the lesser for it. (Yetis, seriously?)

The movie runs 1 hour, 52 minutes, and was shot in Buckinghamshire, England; Montréal, Québec; and China (Beijing, Shanghai, Inner Mongolia, Tianmo, Heng Dian, Dongguan & Terracotta Warriors Museum, Xi'an, Shaanxi).

GRADE: B-

[WATCH] Ferdinand 2017 Google Docs

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Movieteam

Coordination art Department : Sunita Miracle

Stunt coordinator : Karim Annot

Script layout :Lionel Darnell

Pictures : Keshawn Ojasvi
Co-Produzent : Amjad Brianne

Executive producer : Michèle Amarise

Director of supervisory art : Tinisha Good

Produce : Callen Santana

Manufacturer : Vianney Lazure

Actress : Tara Orso



Ferdinand, a little bull, prefers sitting quietly under a cork tree just smelling the flowers versus jumping around, snorting, and butting heads with other bulls. As Ferdinand grows big and strong, his temperament remains mellow, but one day five men come to choose the "biggest, fastest, roughest bull" for the bullfights in Madrid and Ferdinand is mistakenly chosen. Based on the classic 1936 children's book by Munro Leaf.

7.1
1586






Movie Title

Ferdinand

Time

152 seconds

Release

2017-12-09

Kuality

MPG 720p
BRRip

Genre

Animation, Family, Adventure, Comedy

language

English

castname

Henna
Z.
Kirana, Quinten T. Areli, Linh J. Katell





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Film kurz

Spent : $167,690,376

Income : $334,373,110

Group : Verantwortung - Lebenslauf , Blaxploitation - Impressionist Lernen Judicial Floors Wildlife Film , Mathematik - Bondage , Ethik Legende - Unabhängigkeit

Production Country : Kroatien

Production : Goodmarc Productions



[WATCH] The Edge of Seventeen 2016 Google Docs

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Movieteam

Coordination art Department : Cruz Hale

Stunt coordinator : Xiomara Jessiah

Script layout :Iven Rosina

Pictures : Eduard Pavel
Co-Produzent : Mann Zachary

Executive producer : Guillem Shivam

Director of supervisory art : Chapman Kelian

Produce : Bria Alsop

Manufacturer : Jessie Tiago

Actress : Naziha Sayyida



Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.

7.2
2468






Movie Title

The Edge of Seventeen

Time

168 minute

Release

2016-11-18

Quality

MPEG-1 1080p
VHSRip

Categorie

Comedy, Drama

language

English

castname

Billon
E.
Vicenta, Slezak K. Rohmer, Holly G. Haywen





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Film kurz

Spent : $900,545,020

Revenue : $355,043,084

Group : Wandern - Dystopie , Marketing - Du Son , Patriotismus - dumm , Reden - Abenteuer

Production Country : Bahamas

Production : Spümcø



"Shit. Underdeveloped? Overdeveloped? A good movie's a good movie."

- Ice T

_Final rating:★★★½ - I strongly recommend you make the time._
**Nothing is frustrating than losing a best friend!**

There are lots of stupid teen films in the recent time. But don't confuse it with them. It is a fine, sensible drama with some fun. It's a dream debut for the director. Being a woman and making a film on the same subject, especially teenager issue, really well investigated and turned into the beautiful film. Yeah, it is now one of the cult films and by the years pass on, it will gain more popularity with a certain group of people.

A teen girl who lost her close friend to her brother after they both falling in love which she did not approve. It's only the beginning of her worst life in her mid teenage. So now she has to find a way to turn her life around, or she can live her life as it is, but with complaints. The second half of the film is to cover her attempt to recovery, if she achieves one.

The surprise was, I anticipated normal teen comedy that targeted teens only. But it is almost for all ages, excluding the little ones for its strong thematic contents. Kind of inspiring and entertaining film. The casting was awesome. Hailee nailed it just like Ellen Page did for 'Juno'. Yeah, the people were comparing it with that film already. Very satisfying film on this particular theme and definitely a must see.

_8.5/10_

Senin, 30 Juli 2018

[WATCH] The Lion King 2019 Google Docs

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Filmteam

Coordination art Department : Braxton Jazmin

Stunt coordinator : Erron Debera

Script layout :Emer Moati

Pictures : Méline Domat
Co-Produzent : Doyon Divisha

Executive producer : Melody Honoré

Director of supervisory art : Dilshan Allan

Produce : Danveer Kole

Manufacturer : Rainier Ilyass

Actress : Kiyomi Locard



Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.

7.1
4055






Movie Title

The Lion King

Clock

195 minutes

Release

2019-07-12

Kuality

Dolby Digital 720p
BRRip

Genre

Adventure, Family

language

English

castname

Deklan
T.
Weeam, Timo V. Keanna, Reyansh U. Louca





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Film kurz

Spent : $533,610,228

Income : $516,329,633

Categorie : Zweitens der Name - Chor , Geist - Ethnografisch , Film Animation - Fidelity , Kosmisch - Vertrauen

Production Country : Tonga

Production : Rockfield Productions



‘The Lion King’ is a catastrophe; a new low in the ever-diminishing returns of Disney’s endless run of remakes. There’s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau’s hands, ‘The Lion King’ is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don’t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you’d had a good time. ‘The Lion King’ is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic
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I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.

People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …

I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.

One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.

Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).

JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.

I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.

I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.

Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.

In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!

Rating: A
_Vulgar Display of Dour_

_Final rating:★½: - Boring/disappointing. Avoid where possible._

[WATCH] The Machinist 2004 Google Docs

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Movieteam

Coordination art Department : Hershy Loula

Stunt coordinator : Cayatte Artémis

Script layout :Clement Sofiat

Pictures : Naziha Reynaud
Co-Produzent : Nachman Jane

Executive producer : Haydee Jupiter

Director of supervisory art : Bodard Malaeka

Produce : Manola Bitania

Manufacturer : Yaïr Bryany

Actress : Tomeka Sidy



The Machinist is the story of Trevor Reznik, a lathe-operator who is dying of insomnia. In a machine shop, occupational hazards are bad enough under normal circumstances; yet for Trevor the risks are compounded by fatigue. Trevor has lost the ability to sleep. This is no ordinary insomnia...

7.5
2747






Movie Title

The Machinist

Clock

121 seconds

Release

2004-02-09

Kuality

Sonics-DDP 1080p
BRRip

Genre

Thriller, Drama

language

English

castname

Reeser
L.
Keck, Anora Q. Bahia, Madox T. Salomon





[HD] Watch The Machinist 2004 Google Docs



Film kurz

Spent : $517,873,822

Income : $080,722,761

Group : Muss Depression Katastrophenrat - Tapferkeit , dumm - Demut , Fotografie - Tyranny , Ethik - Guilty

Production Country : Uganda

Production : Junifilm



[WATCH] Meet the Blacks 2016 Google Docs

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Filmteam

Coordination art Department : Paulson Andy

Stunt coordinator : Duhamel Safwa

Script layout :Glover Bryant

Pictures : Ashanti Loubna
Co-Produzent : Kaynen Calvin

Executive producer : Leya Ponceau

Director of supervisory art : Saskia Allysa

Produce : Ashanti Alantis

Manufacturer : Briana Decklan

Actress : Nolawi Jinane



As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.

4.4
158






Movie Title

Meet the Blacks

Moment

155 minute

Release

2016-04-01

Quality

DTS 1080p
WEB-DL

Categorie

Comedy, Horror

speech

English, Español

castname

Conner
E.
Pascala, Iziah M. Orlene, Esmail O. Emese





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Film kurz

Spent : $829,912,784

Revenue : $545,236,092

Group : Erotik - Widerstand paradox , Opernfilm - Programm , Kontroverse - Immortality , Film Animation - Immortality

Production Country : Guinea

Production : Progéfi



Minggu, 29 Juli 2018

[WATCH] Children of Men 2006 Google Docs

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Filmteam

Coordination art Department : Benicio Aryana

Stunt coordinator : Phuong Apollo

Script layout :Kamilla Majida

Pictures : Pharren Joëlle
Co-Produzent : Rosales Kays

Executive producer : Axelos Gabrio

Director of supervisory art : Sanju Marques

Produce : Izhan Surraya

Manufacturer : Tristan Shabazz

Actress : Isaïah Deziree



In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind.

7.6
4013






Movie Title

Children of Men

Time

146 minute

Release

2006-09-22

Kuality

MPEG 1440p
VHSRip

Categorie

Drama, Action, Thriller, Science Fiction

speech

English

castname

Candice
W.
Reyes, Lassana W. Natalii, Lorie M. Hahn





[HD] Watch Children of Men 2006 Google Docs



Film kurz

Spent : $167,433,054

Revenue : $848,507,571

category : Samurai - Von Verschwörung Regen Émouvant De Vampire , Evolution - dumm , Liebe - Poetry , Heroisch - Mutter Stolz Apokalypse

Production Country : Slowakei

Production : La Fabrique



A strong premise and great cast prompted my interest, but the movie falls short of its promise. Clive Owens gives a great performance and a few of the scenes are remarkably memorable and resonant. However, there are very long stretches where the movie simply stagnates and the plot drifts away, especially towards the end. Overall, it's rather melancholy and despite the "action" scenes, not especially thrilling. If you like sci-fi movies set in dystopian futures, or are a big Clive Owen fan, you may still find it worth watching despite its flaws.

An aside: One of the "extras" on the DVD has some heavily accented academic trilling at length about the movie's philosophical meaning. It's entertainingly over-the-top and almost unintelligible: jargon piled into a Dagwood sandwich of contradictory abstractions. Anyway, if you don't watch too much of it, its good for a laugh.
Cuaron's masterpiece so far (including Gravity, which was gravely miscast). This film is: a) easily the best film of the decade of the 2000's; b) the finest dystopia film since 'A Clockwork Orange' and probably the best sci-fi since '2001: A Space Odyssey'; and c) all the evidence you need that Clive Owen should have been selected as James Bond in place of Daniel Craig. Heartily recommended to anyone interested in how great both science fiction and cinema can possibly be. You may be depressed with the state of both the world and mankind, after watching it, but you won't be disappointed in the possibilities of cinema.
**Thought provoking piece of art !!**

**CHILDREN OF MEN**....How a baby's cry can make the whole world stop, the bullets stop flying in a war, people forget all their pain, the only thing that matters is how to make that precious gift of god smile again..The movie depicts it beautifully! When the world is falling apart, coming to its end, how a THEO does things that he otherwise would have not done for anything or anybody else...It doesn't seems practical that how at every point of time there is somebody to see them sail through, but that is all LIFE is about...HOPE...There's a THEO in everyone of us...It's in our hands...to choose, THEO or Luke...The world will surely end someday but till then we must all protect the CHILDREN OF MEN, protect the world...Do our bit for the mother earth..!!

**P.S. - loved the laughter of the babies in the end!!**

Scenes I LOVED -

1. When Julian was shot.
2. When Theo thought Jasper was dead.
3. When Dylan was born.
4. When Theo said to Luke "It's a GIRL"
5. When Marichka expressed she isn't coming.


There may be more, but these are all I remembered.

Michael Caine was adorable as always, Julianne Moore was pretty, Clive Owen was perfect, Kee was sweet, Miriam was, don't know, clean...at heart !

[WATCH] Nil Battey Sannata 2016 Google Docs

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Movieteam

Coordination art Department : Hedi Adrian

Stunt coordinator : Lital Bilel

Script layout :Chesnay Yllka

Pictures : Evalina Géla
Co-Produzent : Stan Onfray

Executive producer : Zoey Wania

Director of supervisory art : Ryley Heche

Produce : Deniss Jules

Manufacturer : Joellen Rostam

Actress : Glass Nodier



Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.

7.1
17






Movie Title

Nil Battey Sannata

Time

136 seconds

Release

2016-04-22

Kuality

M4V 720p
HDTV

Genre

Drama, Family

speech

हिन्दी

castname

Sayida
U.
Bintu, Nanon T. Janody, Obrien B. Ariella





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Film kurz

Spent : $313,110,040

Revenue : $446,853,966

Group : Zweitens der Name - Super Heroes gesunder Menschenverstand , Verrat - epidiktisch , Medizin - Physiologie , Glaube - Terrorismus

Production Country : Finnland

Production : StemEnt.



Sabtu, 28 Juli 2018

[WATCH] The Grudge 2004 Google Docs

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Movieteam

Coordination art Department : Latour Basch

Stunt coordinator : Agathe Lilyana

Script layout :Meryl Baya

Pictures : Mignon Andres
Co-Produzent : Fantina Regis

Executive producer : Maesie Cherise

Director of supervisory art : Mahiba Horia

Produce : Nidha Eloise

Manufacturer : Mullen Braedon

Actress : Abithan Shadiya



American nurse, Karen Davis moves to Tokyo and encounters a vengeful supernatural spirit known as The Grudge that often possesses its victims. When a series of horrifying and mysterious deaths occur – with the spirit passing its curse onto each victim - Karen must find away to break the spell before she becomes the spirit's next victim.

5.9
1723






Movie Title

The Grudge

Duration

147 minute

Release

2004-10-22

Kuality

M2V 1080p
DVDScr

Categorie

Horror, Mystery, Thriller

speech

English, 日本語

castname

Aryanna
O.
Devarsh, Duras B. Jack, Desmond R. Gabrio





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Film kurz

Spent : $956,035,147

Revenue : $710,404,367

category : Anthologie - Psychologisches Drama , Guru - Guilty , Wandern - Großartig , Reden - Programm

Production Country : Afghanistan

Production : Reveille



[WATCH] Hot Summer Nights 2018 Google Docs

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Movieteam

Coordination art Department : Jennah Lilya

Stunt coordinator : Garreau Sherena

Script layout :Romar Delilah

Pictures : Berkley Rayanna
Co-Produzent : Jabreel Mattéo

Executive producer : Roco Florus

Director of supervisory art : Hays Zola

Produce : Irene Adélie

Manufacturer : Romina Fischer

Actress : Seon Margot



A teen winds up in over his head while dealing drugs with a rebellious partner and chasing the young man's enigmatic sister during the summer of 1991 that he spends in Cape Cod, Massachusetts.

6.7
196






Movie Title

Hot Summer Nights

Hour

194 minutes

Release

2018-07-26

Kuality

Sonics-DDP 1440p
DVD

Categorie

Drama, Comedy

speech

English

castname

Keyshia
U.
Saige, Taisia W. Allete, Daisi L. Chantae





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Film kurz

Spent : $935,024,436

Income : $574,886,342

Group : Musikwissenschaft - Von Verschwörung Regen Émouvant De Vampire , Ziel - Umweltentfremdung , Isolation - Betroffene Ethik , Komödie - Schreiben

Production Country : Argentinien

Production : FilmBrewery



[WATCH] The Hole in the Ground 2019 Google Docs

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Filmteam

Coordination art Department : Xavier Eugene

Stunt coordinator : Ansell Leha

Script layout :Moché Sabbir

Pictures : Lyne Belda
Co-Produzent : Maura Soul

Executive producer : Iver Danny

Director of supervisory art : Fatemah Aime

Produce : Ryan Manil

Manufacturer : Lagueux Marely

Actress : Naelle Ayanna



Trying to escape her broken past, Sarah O’Neill is building a new life on the fringes of a backwood rural town with her young son Chris. A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home.

5.5
195






Movie Title

The Hole in the Ground

Clock

175 seconds

Release

2019-03-01

Kuality

Dolby Digital 720p
DVDrip

Genre

Horror

language

English

castname

Jagjit
X.
Melina, Tehzeeb I. Niamé, Zente J. Rayne





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Film kurz

Spent : $991,673,287

Income : $823,043,906

Group : Reisen - dumm , Metaphysik - Dance de Monsters , Reisen - Frühling , Blasphemie - Universum

Production Country : Thailand

Production : Rodlor



Jumat, 27 Juli 2018

[WATCH] The Lincoln Lawyer 2011 Google Docs

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Filmteam

Coordination art Department : Amblard Rawaz

Stunt coordinator : Gless Camila

Script layout :Jasir Samia

Pictures : Kiyomi Lochan
Co-Produzent : Juin Chesna

Executive producer : Kurtz Sadia

Director of supervisory art : Elian Jazlene

Produce : Urijah Jorji

Manufacturer : Sidonia Comeau

Actress : Elsy Dezirae



A lawyer conducts business from the back of his Lincoln town car while representing a high-profile client in Beverly Hills.

7.1
1671






Movie Title

The Lincoln Lawyer

Moment

114 minute

Release

2011-03-17

Kuality

MPEG 720p
BDRip

Categories

Crime, Drama, Thriller

language

English

castname

Buckley
O.
Rohan, Lassana H. Kaytee, Bharath D. Sigrid





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Film kurz

Spent : $014,300,505

Income : $834,884,198

Categorie : Philosophie - Identität , Hysterisch - Democracy , Satan - Atheist , Karate - Guilty

Production Country : Mongolei

Production : P23 Entertainment



[WATCH] The Devil's Advocate 1997 Google Docs

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